I will not lie to my readers, Jazz is really not my thing. I am a rock and roller. However, I always show mad respect to the great ones in music. Jazz is an American thing, and we invented it, and people overseas wanted to sound like us. This was back, when America was a great Nation and people around the world wanted to be like us.
Enjoy the music:
Dave Brubeck, the pianist and composer who helped make jazz popular again in the 1950s and ’60s with recordings like “Time Out,” the first jazz album to sell a million copies, and “Take Five,” the still instantly recognizable hit single that was that album’s centerpiece, died on Wednesday in Norwalk, Conn. He would have turned 92 on Thursday.
He died while on his way to a cardiology appointment, Russell Gloyd, his producer, conductor and manager for 36 years, said. Mr. Brubeck lived in Wilton, Conn.
In a long and successful career, Mr. Brubeck brought a distinctive mixture of experimentation and accessibility that won over listeners who had been trained to the sonic dimensions of the three-minute pop single.
Mr. Brubeck experimented with time signatures and polytonality and explored musical theater and the oratorio, baroque compositional devices and foreign modes. He did not always please the critics, who often described his music as schematic, bombastic and — a word he particularly disliked — stolid. But his very stubbornness and strangeness — the blockiness of his playing, the oppositional push-and-pull between his piano and Paul Desmond’s alto saxophone — make the Brubeck quartet’s best work still sound original.
Outside of the group’s most famous originals, which had the charm and durability of pop songs ( “Blue Rondo à la Turk,” “It’s a Raggy Waltz” and “Take Five”), some of its best work was in its overhauls of standards like “You Go to My Head,” “All the Things You Are” and “Pennies From Heaven.” — Source
Others Remembering — Left and Right: BBC, Gothamist, Los Angeles Times, The Maddow Blog, Gawker, Truthdig, Stinque, The Week, Blazing Cat Fur, Balloon Juice and Althouse, The Atlantic Online, Los Angeles Times, Outside the Beltway, Gimme Noise, The Democratic Daily, The Reaction, Power Line and The Volokh Conspiracy, FIRST DRAFT